Agostina Laurenzano received a Fashion Designer degree from the University of Buenos Aires. While studying one of the subjects, she got in touch with the contemporary jewelry world and this led her into her true passion and vocation in 2014. Her bold designs are groundbreaking as she creates one-of-a-kind jewels experimenting with diverse natural materials. This is her premise. Once a new natural element draws her attention, it awakens her imagination and she turns it into a functional piece of jewelry and art.
She is committed to the awareness of the environment and claims the craft world production to avoid the rampant consumption and the abuse of the natural resources. Her earrings, necklaces, bracelets, rings and brooches are fine and unique art pieces which are unrepeatable as their own origin is. She can´t imitate a piece as they are made from nature. “A leaf is never identical to another”
#mydaybydaypromotionship 06/05/2019 - 08/05/2019
"Golden Goose collection represent some of my work utilizing 3D printing techniques.
Many jewelry designers use 3D printing to their advantage, it simplifies the design process and enables them to create intricate designs in less time compared to traditional silversmithing techniques. In my work, instead of using the new technology to create traditional work, I am pushing the boundaries of Jewelry design and creating new kind of jewelry. I am exploring the world of toys and motion and using this new technology to design and create one of a kind [or very limited editions] and interactive jewelry that is meant to be adorned and played with.
In the Golden Goose collection as well, I attempt to create a new type of design – one that plays with the dichotomies of metal and plastic, black and gold, printed and handmade – a series of combinations that lend themselves both to the sophistication and to the playfulness of the pieces."
26/04/2019 - 04/05/2019
Natalia Tapety is a Brazilian architect and designer, currently expanding her jewelry brand in Chile and living in both countries. While attending university, she took courses of parametric modeling and digital fabrication around the world. The fascination for technology employed in architecture generated the will to implement it in an area that it still unusual.
Over time, the manual making began to have fundamental importance in the process of work and creation. The architect was dedicated to study goldsmithing and to implant this new knowledge in the development of pieces. Today her work as a jeweler is defined by the mixture of her background as a curious architect, anxious to try new materials and mix production techniques. His greatest inspirations are the arts, especially the plastic arts.
"My work brings architecture and jewelry together, with unusual and creative designs that have to stand out by themselves, like a piece of art does. And just like a piece of art, the intention of my work involves concept and history in such a way that the accessory is deeply connected with your own story. I do my best to simplify the process of jewelry making and therefore, choose accessible materials, so the pieces can be acquired by everyone. In this way, it is also possible to value the idea, creation and design of the piece besides the added value or the nobility of the material. The combination of digital fabrication and handmade fabrication also brings out a more fresh and contemporary jewelry design. I love both technology and handmade work and that's is also part of my architecture background. Ours clients love to wear a meaningful accessory that they can connect with, I hope you like it too and I will be happy to tell you all about your favorite LAMA’s piece."
20/03/2019 - 22/03/2019
What If I Fly Porcelain Stories is a studio that creates porcelain jewelry and porcelain artworks. Founded in Bucharest in 2016 by cultural manager and curator Anca Negescu and contemporary artist Anca Popescu.
"What If I Fly is a maker of art jewelry and art works and it was born out of our love for porcelain. Our creations are almost exclusively hand-crafted porcelain pieces of jewelry and objects. Though we have a passion for making things with our hands and that shall remain our main focus, we are also passionate about technology and we like to incorporate some of its fantastic benefits in our work. We believe all art objects carry a part of their maker’s soul. Therefore, we are devoted to only creating from our heart’s truth. We add value to our lives and implicitly to our customers’ lives by standing for our souls’ truth. Our works tell true stories. They speak of joy, sadness, tenderness, heartbreak, anger, frustration, hope and the entire spectrum of human emotions. Mostly, they speak of love. We make jewels and objects that feel alive because they are born from the very flow of life".
07/03/2019 - 09/03/2019
"My aim is to harness materials in such a way that they flow and take shape without abandoning functionality; and to create pieces that stand out and define themselves. I want to strike a balance between usefulness and beauty, and to respect materials and their qualities. I also want to highlight what is beautiful and ugly, good and bad, and capture that in an useable object, which must be timeless. The idea is to attain the freedom that lets the creative process flow until it loses control of itself, making things with my hands, starting from nothing. Journeys, stories, memories and emotions are the subject of my work."
26/11/2018 - 28/11/2018
My favorite motif is a box, or more specifically, a box as a container. It contains a world inside that is separated from the outside world. The possibilities of the inside world are unlimited. I like that the box can overflow with my imagination. When I was a child, my mother bought me “a stage for puppet plays”. I was crazy about this small wooden stage. It was just an ordinary stage, but I could do anything I wanted on it and as much as I wanted. Only imagination was needed. It may have triggered my first interest in a box. I also liked to think about titles for stories. I wrote down a list of titles. When one of these touched my imagination and made it fly, I wrote a story. Then I’d make a picture book, a theme song, puppets for the characters, and then I played it on the stage. There was no audience. I played it for myself. But sometimes I secretly tape-recorded the play. Or I placed my picture book in the library of the class. Since those days, I’ve developed other amusements like looking out the window of a train and seeing the city of Tokyo; numerous houses, apartments, buildings… a city is a mass of boxes. Each of these boxes has a window and beyond each window a stranger’s life exists. Innumerable stories are going on there. The fact that the city actually exists can overwhelm me- it’s not imaginary. The interesting point for me is that I still do the same thing. We are all living only one precious moment. There are numberless, subtle yet different feelings we possess but cannot express by words. Various feelings, memories, and thoughts are like a universe that exists inside every person. By introducing one universe to another, endless intertwined stories are happening on this earth right now. And I am living as one of the main characters in one of those stories. This knowledge inspires me with a courage so strong that I can drive all cares away. I create my works with this knowledge. I get motivated by meeting new people and things. I feel then that the universe inside of me expands a little bit more. Then I create more. I make jewelry now. I think that the real jewel is the heart. Like imagination, like the universe, it expands. Eyes are the windows of the endless world inside. Shiny eyes, those touched by the world around them, are the most beautiful gems. I would like to create true jewelry that can penetrate and brighten the eyes of those who see it. I would like to deliver my heart to your heart. I keep creating my jewelry with this idea in mind.
14/11/2018 - 16/11/2018
Much of the inspiration for my pieces comes from nature, from its perfect and beautiful irregular shapes from the sounds and silences that it produces. I investigate in the constant changes of those natural forms in their solid structures but of ethereal appearance, in the relationship between full and empty and in the meaning that one gives to the other. I like to think and design each piece as unique, I do them myself taking care of all the details but at the same time I let myself be surprised by the unforeseen events that happen in the process and contribute to enrich the final result I think one of the characteristics that unify my collections is that apart from being unique pieces in their majority they all have some theatrical.
13/12/2018 - 15/12/2018
7In 2002 Michela Boschetto, alias Micartapesta, graduated at the IUAV University of Venice. She lives and works in Padua where the passion for the art together with architecture and design continue to be her primary interests.
Since some years, partly for the pleasure of making and wearing unusual, personalised jewellery capable of conveying emotion to those using them, and partly because forging materials in manual work has always been a passion of her, she has been devoting her energies to making papier-mâché objects and jewellery.
Its raw materials are simple, basic, and elementary: water, glue and paper. Inspiration takes place by observing the reality that surrounds it: its colors and aromas. Everyday she carries out research on the trends of the moment and then reworks them. This reinterpretation develops as she leafs through newspapers and colored paper from all sorts, treating them and gluing them. This papier-mâché” is obtained using two methods depending on the end result and type of object that she wants to make: sheet or pulp.
Apart of the basic material the "cartapesta", she adds worked-pieces in silver or gold to make the jewel particularly attractive and precious. This ability to work the noble materials it began after a course at the Istituto Pietro Selvatico in Padua, that then it has been continued at the Lucia Davanzo laboratory, a Padua goldworking school artist.
Alessandra lives and works in Rome, where she makes paper-mache jewels while for years she has been following her passion for design and eco-friendly wedding. Her work is researching and experimenting different materials, recycled and not recycled, above all paper.
"My work was born from my passion for materials, techniques and colours. In the past, I collaborated with some printing houses and I was surrounded by paper, large amounts of paper waste ended up in big metal bins just before going to the pulping mill: there were rectangular stripes of different kind of paper and colours. This was for me a great resource at my fingertips and in this way everything started. Paper is a magical material due to its endless possibilities... it can be shaped, folded, rolled, crushed and painted, and each technique creates very different effects. Above all, it is a light material! While wearing even voluminous jewels, we barely realize that we are wearing them.I have developed two main lines during my eco-designer career: the flower paper jewels that I created about ten years ago and the geometric ones that are more recent. All elements, whether in a soft flower garland or pyramidal shape, are made of papier-mâché, hand-shaped, then painted and assembled. My inspiration comes from nature, flowers, tree branches, but also from geometric shapes as in the Pyramids line which also includes modular jewels, very fascinating for the endless possibility ."
13/05/2019 - 15/05/2019
One of my favourite places in the world is not a spot that you stand on, but rather gaze upon: the numerous mountain ranges that encircle my hometown Canberra, Australia. In their absence, I appreciate how much I miss them, and how the mountains have made a mark on me. The hills and mountainscapes are a landmark, as well and an anchor, to that place.
My practice is based in jewellery and small metals. At the core of my practice is the exploration of the connections made between objects and people; and how the object itself plays into those connections by representing on-going narratives. I am interested in the mark that the owner of an object contributes to a piece. A thread that runs through my body of work is that cherished objects, in particular jewellery, have the potential to act as a souvenir, an aides de mémoires, of a special event, beloved person, or a particular place. Through my current body of work I further explore the equally important mark the object makes upon the wearer, and viewer alike. There is a recognition that feelings for and about a specific place are deeply personal. Through this physical mark making I explored the deepening of a relationship to place. The thread of souvenir evolved from drawing on environment of a specific place for inspiration for the physical marks made. The terrain inspiration or line gestures are taken from a specific place and superimposed onto an object. What makes a souvenir powerful its removal from the origin. Whilst drawing on the dots, lines, forms, patterns and textures of a specific place to create the objects, there is an understanding that in the same moment these locations pattern our emotions and memories. My hope is that by gazing at these objects the viewer is transported to a specific place, and are reminded that they are connected to the ground on which you stand and the world at large.
18/10/2018 - 20/10/2018